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On May 18, 1980, a man named Genaro Soroa-Gonzalez arrived in Key West from the port of Mariel. With no family waiting to sponsor him, he was sent by plane to a resettlement camp at an army base. There he was interviewed by the INS and, a few days later, he boarded another plane, this one bound for the federal prison in Atlanta. But wait - he'd committed no crime, so why was the US government detaining him? And how long could they hold him? In Episode 5, the story of Genaro Soroa-Gonzalez and the beginning of the indefinite detention of Mariel Cubans. Want to hear the next episode of White Lies a week before everyone else? Sign up for Embedded+ at plus.npr.org/embedded.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

When President Carter promised to welcome the men and women arriving on the Mariel boatlift with "an open heart and open arms," he had referred to them as refugees. But technically speaking, they weren't refugees. They were classified as entrants, an immigration status with a peculiar legal standing in the United States. While entrants are physically allowed to enter the country, legally they're still at the border, asking to come in. Their presence in the country is known as a legal fiction — specifically, the "entry fiction." So even as Cubans were disembarking boats in droves through the summer of 1980, they were officially still floating off the coast of Key West. And this immigration status followed them to where they went next: an army base in rural Arkansas. In episode 4, the curious case of the militarized border in the middle of the Ozark Mountains. Want to hear the next episode of White Lies a week before everyone else? Sign up for Embedded+ at plus.npr.org/embedded.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

During our reporting, we heard one story over and over again: that Fidel Castro had emptied his prisons to fill the boatlift. It's a story that's been told so often and with such conviction that of course it must be true, right? But what if this was more theater than history? What was happening in 1980 in Miami and throughout the country that made this story so compelling? Why did it feel so true to so many people? In Episode 3, we go to Miami to find out. Want to hear the next episode of White Lies a week before everyone else? Sign up for Embedded+ at plus.npr.org/embedded.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy