Front Row Folgen

At the age of ninety jazz singer Dame Cleo Laine looks back at her extraordinary career. She talks to Stig Abell about her lasting musical and romantic partnership with saxophonist and composer Sir John Dankworth, her friendship with Ella Fitzgerald and collaboration with Ray Charles.Stig visits Cleo at her countryside home, where in 1970 she and husband John Dankworth created The Stables concert hall in their back garden and meets Cleo's daughter, the singer Jacqui Dankworth.Presenter: Stig Abell Producer: Timothy Prosser.

Iconic dancer and choreographer Akram Khan shows John around his studio at his home and discusses a life of dance, preparing for his final solo performance and what he plans to do now that he is retiring from the stage.The Austrian artist Egon Schiele features alongside a young American photographer Francesca Woodman in a new exhibition Life In Motion at Tate Liverpool. The artists used their own naked bodies as the focus for their work at different ends of the 20th century and both died prematurely in their 20s. Co-curator Tamar Hemmes discusses the unlikely pairing.The writer and former US soldier Kevin Powers gave the reader a visceral experience of the war in Iraq in his novel The Yellow Birds following his tour of duty there. Powers discusses his new novel A Shout in the Ruins, in which he gives us a similar experience, but this time focused on the American Civil War.Presenter: John Wilson Producer: Hannah Robins.

Designer Orla Kiely is famous for her distinct Stem-patterned bags and a global brand that includes fashion, accessories and homeware. Now the first exhibition dedicated to her opens at the Fashion and Textile Museum in London. She discusses the origins of her work at a kitchen table in Ireland and why she thinks that pattern can make you happy without even noticing. Crime novelist Belinda Bauer talks about her new novel Snap. Based loosely on the real-life murder of Marie Wilks in 1988, it begins with three children left at the side of the road in a broken-down car as their mother goes to find an emergency telephone. Twice winner of the Crime Novelist of the Year, Belinda considers the importance of childhood memory, landscape and the ordinary fears that haunt us in her writing. What is the identity of British South Asian theatre today? As the Royal Court Theatre holds a series of evenings celebrating the canon of British South Asian theatre going back 50 years, theatre directors Sudha Bhuchar and Prav MJ consider the importance of that legacy, how you preserve and honour the past while looking at the future, and how the preoccupations of South Asian theatre makers has changed in the last 50 years.