Front Row Folgen

Jodie Whittaker talks to Tom Sutcliffe about returning to the stage for the first time in over a decade to star in an updated version of John Webster's 17th-century revenge tragedy The Duchess [of Malfi]. The super-realism of Japanese food replicas is on show in London exhibition Looks Delicious! Curator Simon Wright and Japanese food expert Akemi Yokoyama reflect on this distinctive art. Baroness Ludford discusses buying single theatre seats. Canadian writer Anne Michaels talks about her Booker Prize shortlisted novel Held, which begins on the French battlefield in 1917 and spans 4 generations.Presenter: Tom Sutcliffe Producer: Claire Bartleet

Forty years ago Bronski Beat released Age of Consent, a record so loud and proud that it become an era-defining moment of gay liberation. We look back at the record's music, legacy and politics with novelist Matt Cain and Laurie Belgrave, who has produced the new 'The Age of Consent 40' concert at the Southbank Centre. Samira talks to Percival Everett about his Booker-shortlisted James, a potent retelling of Mark Twain’s Adventures of Huckleberry Finn which offers a new voice to the enslaved character Jim. And, we look at how the horror genre has developed on the stage with Jessica Andrews who has adapted Saint Maud for Live Theatre in Newcastle and Matthew Dunster who directed 2:22 A Ghost Story and the recent West End production of The Pillowman.Presenter: Samira Ahmed Producer: Ruth Watts

Tom Sutcliffe and his guests journalist Stephen Bush and theatre critic Kate Maltby review the latest cultural releases. These include Apple TV's thriller Disclaimer which stars Cate Blanchett and Sacha Baron Cohen, Alice Lowe's comedy sci-fi film Timestalker and Alexander Zeldin's modern reworking of Antigone at the National Theatre, The Other Place. And after today's announcement that Han Kang has won the Nobel Prize for Literature, her former editor at Granta Magazine, the author Max Porter talks about her poetic prose. Presenter: Tom Sutcliffe Producer: Paula McGrath and Natasha Mardikar