In Our Time Folgen

Melvyn Bragg and guests discuss a problematic notion which can be an emotional condition, a syndrome, an extreme or over-reaction, or the physical signs of trauma. The term ‘hysteria’ was first used in Greece in the 5th century BC by Hippocratic doctors. They were trying to explain an illness whose symptoms were breathing difficulties and a sense of suffocation, and whose sufferers were seen chiefly to be recently bereaved widows. The explanation was thought to be a wandering womb putting pressure on other organs. The use that Sigmund Freud put to the term was rather different, but although there is no wandering womb in his notion of hysteria, there is still a mysterious leap from the emotional to the physical, from the mind to the body. What is hysteria? How can emotional experiences cause physical illnesses? And has hysteria’s association with old stereotypes of femininity put it off the modern medical map? With Juliet Mitchell, Professor of Psychoanalysis and Gender Studies at the University of Cambridge and author of Mad Men and Medusas: Reclaiming Hysteria and the Effects of Sibling Relations on the Human Condition; Rachel Bowlby, Professor of English at the University of York who has written the introduction to the latest Penguin translation of Sigmund Freud and Joseph Breuer’s Studies in Hysteria; Brett Kahr, Senior Clinical Research Fellow in Psychotherapy and Mental Health at the Centre for Child Mental Health in London.

Melvyn Bragg and guests discuss the poetry, the tragedy and the idealism of the Later Romantics. There must have been something extraordinary about the early 19th century, when six of the greatest poets in the English language were all writing. William Blake was there and Wordsworth and Coleridge had established themselves as the main players in British poetry, when the youthful trio of Byron, Shelley and Keats erupted – if not straight onto the public stage, then at least onto the literary scene. The great chronicler of the age was William Hazlitt, whose romantic maxim was: “Happy are they who live in the dream of their own existence and see all things in the light of their own minds; who walk by faith and hope; to whom the guiding star of their youth still shines from afar and into whom the spirit of the world has not yet entered…the world has no hand on them.” How fitting an epitaph is that for the three great poets who all died tragically young? What were the ideals that drove them and how did their unconventional lifestyles infect the poetry they left behind?With Jonathan Bate, Professor of English Literature at the University of Warwick; Robert Woof, Director of the Wordsworth Trust; Jennifer Wallace, Director of Studies in English at Peterhouse, Cambridge.

Melvyn Bragg and guests discuss the concept of original sin and its influence in Christian Europe. Genesis tells the Bible’s story of creation, but it also carries within it a tale of the ‘fall of mankind’. After their primal transgression, Adam and Eve are banished from Eden and cursed by God:“Unto the woman he said, I will greatly multiply thy sorrow and thy conception; in sorrow thou shalt bring forth children; and thy desire shall be to thy husband, and he shall rule over thee.And unto Adam he said, Because thou hast hearkened unto the voice of thy wife, and hast eaten of the tree, of which I commanded thee, saying, Thou shalt not eat of it: cursed is the ground for thy sake; in sorrow shalt thou eat of it all the days of thy life.”What effect has this passage had on western culture, and how did the concept of an ‘original sin’ influence gender and morality in Christian Europe?With Martin Palmer, theologian and Director of the International Consultancy on Religion, Education and Culture; Griselda Pollock, Professor of Art History at the University of Leeds; John Carey, Emeritus Professor of English Literature at Oxford University.