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In Our Time

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A world-class seminar, every week. In Our Time explores the ideas, people and discoveries that have shaped our world, spanning history, philosophy, religion, science, literature, art and culture. On Thursdays, hear brand-new episodes hosted by Misha Glenny and leading academics. On Mondays, discover Misha's Archive Picks: classic conversations from the In Our Time archive, originally presented by Melvyn Bragg. Recent episodes have featured topics as wide-ranging as the Roman Arena, Handel's Messiah, John Keats, On Liberty and the Mariana Trench, bringing expert insight to pivotal events, influential thinkers and remarkable discoveries. Throughout the archive, you can hear discussions on historical figures such as Marie Antoinette, Nefertiti, Mary Wollstonecraft, Karl Marx and Albert Einstein; explore great works of literature such as Shakespeare’s Hamlet, Nineteen Eighty-Four, Alice's Adventures in Wonderland and the poetry of John Donne; uncover the stories behind cultural masterpieces including Van Gogh's Sunflowers and Michelangelo's Sistine Chapel; or journey from Jupiter and the death of stars, to the theories of Plato and Aristotle. In Our Time celebrates the pursuit of knowledge and the enduring power of ideas.

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Folgen von In Our Time

1108 Folgen
  • Folge vom 07.03.2019
    William Cecil
    Melvyn Bragg and guests discuss the impact on the British Isles of William Cecil, 1st Baron Burghley, the most poweful man in the court of Elizabeth I. He was both praised and attacked for his flexibility, adapting to the reigns of Protestant and Catholic monarchs and, under Elizabeth, his goal was to make England strong, stable and secure from attack from its neighbours. He sought control over Ireland and persuaded Elizabeth that Mary Queen of Scots must die, yet often counselled peace rather than war in the interests of prosperity. With Diarmaid MacCulloch Professor of the History of the Church at the University of OxfordSusan Doran Professor of Early Modern British History at the University of Oxfordand John Guy Fellow of Clare College, University of CambridgeProducer: Simon Tillotson
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  • Folge vom 28.02.2019
    Antarah ibn Shaddad
    Melvyn Bragg and guests discuss the life, works, context and legacy of Antarah (525-608AD), the great poet and warrior. According to legend, he was born a slave; his mother was an Ethiopian slave, his father an elite Arab cavalryman. Antarah won his freedom in battle and loved a woman called Abla who refused him, and they were later celebrated in the saga of Antar and Abla. One of Antarah's poems was so esteemed in pre-Islamic Arabia that it is believed it was hung up on the wall of the Kaaba in Mecca. With James Montgomery Sir Thomas Adams's Professor of Arabic at the University of CambridgeMarlé Hammond Senior Lecturer in Arabic Popular Literature and Culture at SOAS, University of LondonAnd Harry Munt Lecturer in Medieval History at the University of YorkProducer: Simon Tillotson
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  • Folge vom 21.02.2019
    Pheromones
    Melvyn Bragg and guests discuss how members of the same species send each other invisible chemical signals to influence the way they behave. Pheromones are used by species across the animal kingdom in a variety of ways, such as laying trails to be followed, to raise the alarm, to scatter from predators, to signal dominance and to enhance attractiveness and, in honey bees, even direct development into queen or worker. The image above is of male and female ladybirds that have clustered together in response to pheromones. With Tristram Wyatt Senior Research Fellow at the Department of Zoology at the University of OxfordJane Hurst William Prescott Professor of Animal Science at the University of Liverpooland Francis Ratnieks Professor of Apiculture and Head of the Laboratory of Apiculture and Social Insects at the University of SussexProducer: Simon Tillotson
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  • Folge vom 14.02.2019
    Judith beheading Holofernes
    Melvyn Bragg and guests discuss how artists from the Middle Ages onwards have been inspired by the Bible story of the widow who killed an Assyrian general who was besieging her village, and so saved her people from his army and from his master Nebuchadnezzar. A symbol of a woman's power and the defiance of political tyranny, the image of Judith has been sculpted by Donatello, painted on the ceiling of the Sistine Chapel and, in the case of Caravaggio, Liss and Artemisia Gentileschi, been shown with vivid, disturbing detail. What do these interpretations reveal of the attitudes to power and women in their time, and of the artists' own experiences? The image of Judith, above is from a tapestry in the Duomo, Milan, by Giovanni or Nicola Carcher, 1555With Susan Foister Curator of Early Netherlandish, German and British Painting at the National GalleryJohn Gash Senior Lecturer in History of Art at the University of AberdeenAnd Ela Nutu Hall Research Associate at the Sheffield Institute for Interdisciplinary Biblical Studies, at the University of SheffieldProducer: Simon Tillotson
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