Michaela Chen of Foxglove discusses efforts to unionize the exploited workers who moderate content on social media. Micah Herskind, author of an article for Scalawag, "This Is the Atlanta Way: A Primer on Cop City," talks about the history and political economy behind the massive planned police training center.Behind the News, hosted by Doug Henwood, covers the worlds of economics and politics and their complex interactions, from the local to the global. Find the archive here.
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Jacobin Radio Folgen
News, politics, history and more from Jacobin. Featuring The Dig, Long Reads, Confronting Capitalism, Behind the News, Jacobin Radio with Suzi Weissman, and occasional specials.
Folgen von Jacobin Radio
1884 Folgen
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Folge vom 15.05.2023Behind the News: Cop City Primer w/ Micah Herskind
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Folge vom 13.05.2023The Dig: Trans Children w/ Jules Gill-PetersonFeaturing Jules Gill-Peterson on Histories of the Transgender Child. Amid this right-wing reaction, a discussion of the history of trans medicine and trans children—and also trans politics more generally.Support The Dig at Patreon.com/TheDigRegister for Socialism 2023 at socialismconference.org. Register before July 7 for the early bird discount rate!Subscribe to n+1 at nplusonemag.com/thedig. Enter THEDIG at checkout.
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Folge vom 10.05.2023Michael and Us: A Populist Dracula"A soy-banter Nicolas Cage Dracula movie" was too enticing a pitch to pass up, so we hit up our local multiplex to see RENFIELD (2023). PLUS: Do conservatives need "a populist Dracula"? At least one right-wing outlet thinks so!Michael and Us is a podcast about political cinema and our crumbling world hosted by Will Sloan and Luke Savage.
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Folge vom 09.05.2023Jacobin Radio: Writers Guild Strike w/ Howard RodmanHoward Rodman, former president of the Writers Guild of America West (WGA), joins Alan Minsky to discuss the Writers Guild strike, which began a minute after midnight on May 2, after a near unanimous strike vote on May 1. This strike action, the first in fifteen years, impacts TV, movies, and streaming platforms across the country and the world. The last strike, in 2007-08, lasted 100 days and focused on "new media" when streaming was in its infancy and Netflix was still a DVD-by-mail company. This time, the key points are: residuals, preserving the writers room (ending the practice of so-called mini-rooms), viewership transparency (writers want ratings data and not algorithms), and protections regarding AI. As Rodman says, the strike is about a whole constellation of issues which, taken together, create an existential threat to the ability of writers to earn a decent living. There is a lot of public support for the writers, but the distance between the writers and the studios is very far apart. The writers are saying don’t use these new technologies to pay us less for more work. We get Rodman’s take on what is at stake.Jacobin Radio with Suzi Weissman features conversations with leading thinkers and activists, with a focus on labor, the economy, and protest movements.