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The LJS Podcast is the podcast where you get weekly jazz tips, interviews, stories and advice for becoming a better jazz musician! Hosting the show is the jazz musician behind learnjazzstandards.com, author, and entrepreneur Brent Vaartstra, who’s one goal is to answer any question about playing jazz music you may have. Jazz can be a challenging music to learn and play, but it doesn’t have to be so hard. Each episode features a specific musical challenge that jazz students may come across, where it is discussed and answered. Special jazz guests frequent the show, sharing their expertise on an array of different musical subject matter. Listeners are invited to call in with their jazz questions to the podcast hotline, where it could get answered on a future LJS Podcast episode. Join thousands of other listeners getting free jazz education every week!
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Folge vom 29.06.2020When to Stop Practicing Something and Move OnWelcome to episode 225 of the LJS Podcast where today I answer a question that I get asked quite often: when do I stop practicing something I'm working on and move on to something else?Often we get overly concerned about mastery and perfection, which can lead to getting stuck. Learn when you know something "good enough" and why you may want to move on even if things aren't perfect.There's that famous Winston Churchill quote that goes, "Perfection is the enemy of progress". And when it comes to playing jazz and becoming a better musician, this can't be more true in my opinion. When we get stuck trying to "master things", we don't move on to the next lesson that we need to learn. We get stuck in one place, we over-obsess over something. We're not allowing ourselves to learn all of the multitudes of things that could be learned and refined when we move on to other material.But at the same time, how do we know when we've learned something well enough? We don't want to move on to the next thing if we really haven't gotten any control over a particular musical concept.So, in today's episode, I'm going to dive in deep with that. I want to help us answer this question: how do we know when to move on to the next thing in our jazz playing?In this episode:1. Why moving on is sometimes the path to quicker improvement 2. Q1: On a scale of 1-10 how comfortable do I feel with the material? 3. Q2: How long have you been working on this material? 4. Q3: Does the material you are working on occur often in other jazz concepts you will work on?Important Links:LJS Inner Circle MembershipFree Guide to learn standards by ear: Learn Jazz Standards the Smart WayLearn Jazz Standards Inner Circle: Get 50% off your first month!
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Folge vom 22.06.2020By the End of This Episode You’ll Know a New Jazz StandardWelcome to episode 224 of the LJS Podcast where today I learn a new jazz standard in real-time on the show. If you'll join with me you'll know a new jazz standard by the end as well.You'll see how I approach learning a jazz standard by ear, no filters, no edits.You know, I love a lot of things about jazz music, like I love the improv, I love the creativity, I love the challenge it provides to us as individual musicians. Just a lot of things are great about it that I enjoy playing and listening to it. But what a lot of people don't know is, my favorite part about jazz is the ballads. I just love ballads! I love playing the ballads. I think it's just some of the most beautiful music. It's all tunes! Oh man, it's so great! And so, I've been thinking to myself for a while, there's this particular ballad that I've really been wanting to learn and still don't know it.So in today's episode, I am going to learn that jazz standard for the very first time. And I think in the process, you might learn it as well just by going along this with me and maybe at least get inside of my head of what I think about when I learn a jazz standard by ear. In this episode:1. I walk through a Brad Meldau recording of "Bewitched, Bothered and Bewildered" and learn it by earImportant Links:1. LJS Inner Circle Membership2. Free Guide to learn standards by ear: Learn Jazz Standards the Smart Way3. LJS 212: Improv Hacking Jazz Standards (3 Step Process)Learn Jazz Standards Inner Circle: Get 50% off your first month!
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Folge vom 15.06.20203 Jazz Theory Lessons from On the Sunny Side of the StreetWelcome to episode 223 of the LJS Podcast where today we go over three music theory concepts in the jazz standard On the Sunny Side of the Street that can be helpful for improvising on standards in general. I discuss the three concepts as well as a few different ideas on how to approach them in your solos.I don't know about you, but whenever I work on a jazz standard or learn a new jazz standard, I'm always looking for little nuggets of wisdom, little tidbits that are going to help me in my jazz improv, not just with that song but with all other jazz standards. Because each jazz standard really is a treasure trove of new explorations, new opportunities for different kinds of improvisation and to spark new creative ideas for ourselves.So, in today's podcast episode, I'm going to look at a really awesome jazz standard called On the Sunny Side of the Street and we are going to look at 3 different jazz theory takeaways and some different ways to approach them in an improvisational standpoint.In this episode:1. Deceptive Cadence2. Diminished replacing a dominant 73. Dominant II7 chord (Secondary Dominant)Important Links:LJS Inner Circle MembershipFree Guide to learn standards by ear: Learn Jazz Standards the Smart WayLearn Jazz Standards Inner Circle: Get 50% off your first month!
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Folge vom 06.06.2020Jazz, Racial Injustice, and What This Music Really Means (feat. Kyle Younger)Welcome to episode 222 of the LJS Podcast where today we have on special guest Kyle Younger on the show to discuss the history of jazz and its ties to the racial oppression of the African American community. Jazz is African American music, and we cannot understand or play this music without recognizing the oppression of those who created this music.When we play jazz music and when we practice jazz music, it's important that we remember that it is African American music and it was born out of slavery. It was born out of racism, injustice, oppression, and it developed under injustice and oppression. And music is always a reflection of the times. It's always the reflection of the people who are playing the music. And we can never untie jazz and playing jazz, or not connect the two together. They are so intertwined. And so it's important that when we play this music, we have a reverence, we have an understanding of what this music really means, just even outside of the notes and the theory and how to play it. Now, I am not the right person to deliver this message, obviously.So I've got a very special guest on the show today, multi-instrumentalist, educator, and jazz aficionado, Kyle Younger, to share what jazz music means. Not only what it means to the African American community, but what it should mean to us, and what we should think about when we play this music.In this episode:1. Jazz is a music born out of slavery, injustice, and oppression.2. When we play this music we need to understand the context of which the music was created.3. Jazz is music created by African Americans but shared with all. Jazz is love.Important Links:1. Kyle's Book Suggestions: Beneath the Underdog 2. Music is My Mistress 3. The Jazz Life4. LJS Inner Circle Membership5. Free Guide to learn standards by ear: Learn Jazz Standards the Smart WayLearn Jazz Standards Inner Circle: Get 50% off your first month!