Barely a week after releasing Something More Than Free, Jason Isbell took the stage at Newport Folk for a set that highlighted many of the new songs from that album. Isbell has attained star status in the alt-country world, but his performance channeled the best of the southern rock tradition that emerged in north Alabama and Georgia in the 1970s — two places where Isbell lived and worked before relocating to Nashville.

Lovesongs & BalladenModern RockAlternative & Indie
Live In Concert from NPR's All Songs Considered Folgen
Live In Concert from NPR's All Songs Considered mit 1 bewerten
Live In Concert from NPR's All Songs Considered mit 2 bewerten
Live In Concert from NPR's All Songs Considered mit 3 bewerten
Live In Concert from NPR's All Songs Considered mit 4 bewerten
Live In Concert from NPR's All Songs Considered mit 5 bewerten
Hear live shows from Spiritualized, Andrew Bird, Wilco, Bon Iver, Alabama Shakes, Beirut and many more. Recorded by NPR Music at venues and festivals across the country.
Folgen von Live In Concert from NPR's All Songs Considered
300 Folgen
-
Folge vom 29.07.2015Jason Isbell: Newport Folk Festival 2015
-
Folge vom 25.07.2015Tallest Man On Earth: Newport Folk Festival 2015Kristian Matsson aka the Tallest Man on Earth's brilliant performance at the Newport Folk Festival 2015
-
Folge vom 25.07.2015The Lone Bellow: Newport Folk Festival 2015Here this inspired set from The Lone Bellow from the Newport Folk Festival 2015 LONE BELLOW: Zach Williams-/vox Kanene Donehey Pipkin-Vox/Keys/Bass JasonPipkin-Bss/Keys BrianElmquist-Elec. Git Justin Glasco-Drums Set List: 1. Then Came The Morning 2. Fake Roses 4. Cold As It Is 5. Green Eyes And A Heart of Gold 6. Heaven Don't Call Me Home 7. Watch Over Us with Leon Bridges 8. When Will I Be Loved (with Holly and Jess of Lucius) 9. Call To War 10. Teach Me To Know 11. You Never Need Nobody 12. If You Don't Love Me 13. The One You Should've Let Go with New Breed Brass Band
-
Folge vom 26.02.2015Sleater-Kinney, Live At The 9:30 ClubThe last time Sleater-Kinney played the 9:30 Club, a transformer threatened to blow in the midst of a summer heat wave. Or maybe the Washington, D.C., club just couldn't handle Corin Tucker's pipes. That was nine years ago, on a goodbye-for-now tour that caught the trio at the top of its game. The show was rescheduled and taped for NPR Music, and we had our closure, crossing fingers that it wouldn't be the last we'd hear from Corin Tucker, Carrie Brownstein and Janet Weiss. In the intervening years, all three put their energies into other projects, musical and not, sometimes even with each other. But Sleater-Kinney has an electric chemistry of its own. As Brownstein says, "I really think Sleater-Kinney is a singular band with no clear predecessor or successor, so I don't think we started out creating music that you could see the palette of colors that we were using, and maybe draw a lineage." On the first night of a two-night gig at the 9:30 Club, Sleater-Kinney went all-in with its set list. Tracks from the band's monster of a new album, No Cities To Love, felt natural alongside songs like "Oh!" and "Words And Guitar," obliterating the band's timeline by demonstrating a catalog that's always present, always on fire.