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Kultur & Gesellschaft

Music Matters

The stories that matter, the people that matter, the music that matters

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Folgen von Music Matters

148 Folgen
  • Folge vom 14.05.2022
    Vaughan Williams Today
    Tom Service is joined by Dan Grimley for a walk in the Surrey Hills where Vaughan Williams grew up to explore the ways in which the community, sound and landscape of this area shaped his music and his thinking. They also visit Dorking town centre where Vaughan Williams played a central role in the community, especially during World War Two and in the local music scene as conductor of the Leith Hill Musical Festival for almost 50 years.Tom visits folk singer Shirley Collins at her home in East Sussex to talk about the folk songs Vaughan Williams collected and how his legacy continues today. Violinist Midori Komachi talks about taking Vaughan Williams’s music to Japanese audiences and a new dual language release featuring his works for violin and piano, including his tortured Violin Sonata from the 1950s; conductor Vasily Petrenko delves into what makes his music distinctly British; and writer Rob Young discusses the composer's patriotism, socialism and the lens through which we see him today.
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  • Folge vom 16.04.2022
    Martin Fröst, SongPath, Beckett and Russia
    Tom Service is joined by Russian music and history expert, Marina Frolova-Walker and BBC journalist, Olga Ivshina to discuss the effect the war in Ukraine is having on Russian music and culture. Clarinettist and conductor, Martin Fröst talks to Tom about reshaping the classical musical arena through multi-media spectacular as he prepares to launch his newest project, Xodus. Singers, Jess Dandy and Joanna Harries take Tom on a musical walk through a woodland in south east London ahead of their "SongPath" at RSPB St Aidan’s nature reserve near Leeds this week. They immerse themselves in the sounds of birds, rain and song as they talk about the benefits connections through nature and music have on mental health.And Tom visits the Coronet Theatre in London where the theatre company, Gare St Lazare Ireland begins rehearsals for a production of Samuel Beckett’s novel, "How It Is." One of Beckett’s most experimental and beautiful works, "How it is" is an extraordinary exploration of language and this production explores the beauty, sound, rhythm and meaning of the words while the strains of the Irish Gamelan Orchestra enhance the dystopian atmosphere of Beckett’s writing. Tom is joined by director, Judy Hegarty Lovett; composer and sound designer, Mel Mercier, and performers, Stephen Dillane, and Conor Lovett.
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  • Folge vom 02.04.2022
    Bobby McFerrin, Mari Kalkun, The Handmaid's Tale
    Tom Service talks to virtuoso vocalist Bobby McFerrin about the latest chapter in his musical life and his ceaseless creativity. He’s been inspiring audiences to make music with him during concerts for decades, and now, following a Parkinson’s diagnosis, he is taking this further as he starts to perform live again. Bobby reflects on his early solo shows, the improvisation technique ‘circle singing’ which he developed in the 1980s and whether music can really bring peace to the world. Folk musician Mari Kalkun comes to the studio with her kannel, a traditional Estonian plucked string instrument with a long history which plays a central role in much of her music. Mari talks to Tom about her personal and artistic response to the war in Ukraine and how musical activism is now an essential part of her role as an artist.We visit English National Opera to find out more about a new production of Poul Ruders’s The Handmaid's Tale, based on Margaret Atwood’s seminal novel. Tom is joined by director Annilese Miskimmon, mezzo-soprano Kate Lindsey who sings Offred and soprano Emma Bell who sings Aunt Lydia, to explore how the story is being brought to life on stage and why it is a shattering story of our times.Plus conductor and harpsichordist Rinaldo Alessandrini tells us about the irresistible theatrical energy of Vivaldi's 'L'estro armonico' concertos from 1711 and why placing them alongside reworkings by JS Bach on his new recording with his ensemble Concerto Italiano offers a new perspective and a thrilling ride. Image: © Carol Friedman
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  • Folge vom 19.03.2022
    Ludovico Einaudi, Peter Grimes, Anna Clyne
    Ahead of a new production of Britten's Peter Grimes at the Royal Opera House, Sara Mohr-Pietsch hears from members of the creative team bringing this compelling tale of an outsider to life, in a post-pandemic, 21st-century context. The composer Anna Clyne also talks to Sara about her latest work, including a Handel-inspired piece to be premiered later this month by the Academy of Ancient Music and the National Youth Choir of Great Britain. As the situation in Ukraine continues, Sara looks talks to Peter Gelb, general manager of the Metropolitan Opera in New York, about the company's parting of ways with Russian soprano Anna Netrebko, and to conductor Thomas Sanderling about the decision to leave his post at the Novosibirsk Philharmonic Orchestra, asking the question of how one effectively balances art and politics.And the phenomenally successful Italian composer Ludovico Einaudi joins Sara from his home studio in the Italian Alps, where the pandemic allowed a break in his usual hectic schedule to reappraise his creative process.Producer: Sam HicklingImage: Ludovico Einaudi (c) Duet Postscriptum
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