As composer Mark-Anthony Turnage turns 60, Kate Molleson talks to him about the influences he received from Oliver Knussen, Gunther Schuller and Hans-Werner Henze. He speaks candidly about continuing to want to compose pieces that challenge, and shares his thoughts about how Covid-19 might change the music scene over the coming years. In light of the recent death of George Floyd at the hands of the police in the USA, Kate reflects on the discourses of solidarity we’ve heard from within the music world and the wider issue of racism in classical music with composer Eleanor Alberga. Kate also asks Heather Wiebe from King's College London to review a new book, 'Aaron Copland's Hollywood Film Scores', by the musicologist Paula Musegades who argues that the composer used movies to try out his new 'American sound'. And we talk to Maggie Rodford, managing director of one of UK's busiest recording studios, about the impact of Covid-19 on the film and TV music recording industry.
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The stories that matter, the people that matter, the music that matters
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148 Folgen
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Folge vom 06.06.2020Mark Anthony Turnage at 60
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Folge vom 23.05.2020Music and mental healthAs Mental Health Awareness Week draws to a close, Kate Molleson surveys the musical world's responses to mental wellbeing. Opera star Renée Fleming talks about her 'Music and Mind Live' webinar series, which explores the impact of music on human health and the brain. Kate is joined, too, by the author, musician and neuroscientist Daniel J. Levitin who will also feature in the webinar series. The composer Nigel Osborne introduces his X-System, which examines how the brain and body respond to music, and the Irish accordionist and psychologist Cormac Begley shares his thoughts about music and mood. Reflecting on life during lockdown, Music Matters also hears from the performance poet Michael Pedersen, the cellist Zoe Martlew, and trumpeter Martin Hurrell.Notes:* Renée Fleming's 'Music and the Mind' webinars take place on Tuesdays at 10 pm UK time, via her Facebook page. * Professor Daniel Levitin's latest publication is 'Successful Aging: A Neuroscientist Explores the Power and Potential of Our Lives' (Penguin Random House 2020) * Zoë Martlew's audio diary included extracts from her own recordings and compositions, including her string trio Völuspá and Salat Babilya for solo cello. The recording of birds in a wood close to her home was made by Cato Langnes, Chief Sound Engineer from NOTAM studios in Oslo. * West Kerry musicians Brendan and Cormac Begley feature in a new traditional music television series, Slí na mBeaglaoich on TG4, starting Sunday 26 April and running for six weeks. For more, visit https://www.tg4.ie/ga/
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Folge vom 09.05.2020Jonathan Biss, Elizabeth Kenny, Susanna Malkki and Cheer Up!Tom Service talks to pianist Jonathan Biss about how Beethoven can help us all through lockdown isolation, and to lutenist Elizabeth Kenny about the far-sighted Italian Renaissance pioneer, composer, lutenist and theorist Vincenzo Galilei - father of astronomer and physicist Galileo Galilei. As we celebrate the 75th anniversary of VE Day, Tom talks to author Adrian Wright about his new book Cheer Up! - British Musical Films, 1929-1945. And, from the Music Matters archive, another chance to hear Tom's 2018 interview with dynamic Finnish conductor Susanna Malkki.
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Folge vom 25.04.2020Ravi Shankar at 100Tom Service talks to author Oliver Craske about his new biography, which marks the 100th anniversary of one of the 20th century's most influential musicians, Ravi Shankar. Composer, Erkki Sven Tuur turned 60 last year. He speaks to Tom, from his home on an island in the Baltic Sea, about his Ninth Symphony and how his orchestral piece Sow the Wind is especially relevant during these times. We continue to mine the Music Matters archive and there is another chance to hear Angela Hewitt talk about Beethoven and Bach. And as lockdown continues to impact artists the world over, Tom talks to violinist Tamsin Waley-Cohen, percussionist Claire Edwardes, and the composer Kamala Sankaram whose new opera “All decisions will be made by consensus,” was composed especially for live online performance premieres this week.