Marking the centenary of the Armistice, Tom Service talks to three composers writing music in response to war: Mira Calix on her sound installation at the Tower of London, 'Beyond the Deepening Shadows' featuring music for voices performed by Solomon's Knot; Dario Marianelli on 'The Unknown Soldier' at the Royal Ballet; and David Lang on ‘Memorial Ground’, originally written for the centenary of the Battle of the Somme in 2016. Tom travels to Paris and joins Jean Rondeau at the harpsichord to delve into the music of French composer Francois Couperin, 350 years after his birth, and talks to musicologist Theodora Psychoyou about the vast range and colour of his keyboard works. Composer, writer and singer Kerry Andrew discusses a new piece she's written for the Ligeti Quartet inspired by her experience with tinnitus and talks to clinical audiologist Rekesh Patel about living with the condition. And Santanu Das sheds light on the role of music in the Indian war experience as highlighted in his new book, 'India, Empire, and First World War Culture', including a folk song reconstructed and performed by Jasdeep Singh and Amanroop Kaur.
Kultur & Gesellschaft
Music Matters Folgen
The stories that matter, the people that matter, the music that matters
Folgen von Music Matters
148 Folgen
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Folge vom 10.11.2018Memory, Loss, and Music’s Universal Power
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Folge vom 27.10.2018Whisky, Beethoven and CrocodilesTom Service discusses Beethoven at the keyboard with pianist Angela Hewitt, who is currently touring Beethoven's Emperor Concerto. He also considers animal and human brain responses to music with Henkjan Honing (editor of a new book The Origins of Musicality) and with Felix Stroeckens (who has been putting crocodiles in an MRI scanner and playing Bach to them). He also investigates a new opera being toured round Scotland's whisky distilleries by NOISE, and meets Ewan Campbell to discuss musical maps in the context of radical scores from the Middle Ages to the present day.
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Folge vom 06.10.2018Passion, Masks and ParryTom Service meets conductor Jonathan Nott to discuss his passion for music which began as a choral scholar in Worcester, the unanswerable questions that the masterpieces of Mahler and other composers pose as we move through life, and the new concert hall complex being built in Geneva for his Orchestre de la Suisse Romande.Hubert Parry: a major figure in British musical history: Tom travels to Oxford and London to discover two formative musical experiences which changed Parry's life. With Kate Kennedy he discovers what impact studying at Exeter College, Oxford made on his future career as a composer and educationalist, and at 12 Orme Square London, David Owen Norris explains how Wagner was an important stepping-stone in his musical development.Judith Chernaik's new book 'Schumann the Faces and the Masks' reveals new material on Robert and Clara's relationship. Who depended on who? And what couldn't Robert tell the love of his life?The Orpheus and Eurydice myth is re-told in Passion, the first UK production of French composer Pascal Dusapin's dance-opera, currently touring the UK. Members of the production team, Caroline Finn, Michael McCarthy and Pascal discuss the genesis of this work on loss on love.
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Folge vom 25.08.2018Bernstein's New YorkTom Service travels to New York City to discover if Bernstein's musical and social legacy continues to echo through the streets of the Big Apple and the lives of New Yorkers. Visiting key places where Bernstein lived and worked, Tom meets the musicians, institutions and ensembles of today who are working towards goals Bernstein championed as a musician, communicator and humanitarian.Tom visits Jamie Bernstein at the flat where the Bernstein family archives resides, while at the archives of the New York Philharmonic, Tom finds a musical score which reveals a fascinating self-insight by the maestro himself, and with the orchestra's archivist Barbara Haws remembers her time working with Bernstein, how he changed orchestral relations, and how his conducting traditions are still in place today. Historian Julia Foulkes explains how resonances of West Side Story are found in the hit Broadway musicals of the 21st century, and with Deborah Borda, CEO of the New York Philharmonic and conductors Michael Tilson Thomas and Joshua Weilerstein, Tom discovers initiatives aimed at bringing the joy of classical music to new audiences today, as Bernstein did. Tom visits National Sawdust in Brooklyn, which carries on Bernstein's ideas on social and musical collaboration, and Humphrey Burton, Bernstein biographer, offers his views on where Bernstein's legacy can be found today.