As Radio 3 marks the 400th anniversary of William Byrd’s death, Tom Service visits Lincoln Cathedral, the centre of musical activity where the composer held positions as organist and master of the basilica’s choristers early in his career. He talks to the scholar Magnus Williamson about how the building’s acoustics shaped Byrd’s compositional voice, and speaks to both the cathedral’s current Director of Music, Aric Prentice, and Lay Vicar, Thomas Wilson. He’s also joined by four leading British composers and musicians who have worked with Byrd's music: Cheryl Frances-Hoad, James Weeks, Gabriel Jackson and Laura Cannell. They each discuss how they have worked Byrd into their own compositional voices.Ahead of her Prom with the BBC Symphony Orchestra later this month, Tom also hears from the conductor Elim Chan. Winner of the Donatella Flick LSO Conducting Competition in 2014, she tells Tom about her journey at the helm of several of the world’s leading orchestras and why being on stage feels like being a rockstar.
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Folge vom 01.07.2023Elim Chan, 400 years of William Byrd
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Folge vom 17.06.2023Windrush 75, Nicole Paiement, Nigel BrooksPresenter Sara Mohr-Pietsch explores the musical legacy of the Windrush generation, as part of the BBC's coverage of the 75th anniversary of HMT Empire Windrush's arrival at Tilbury Docks on 22nd June 1948.The composer Shirley J. Thompson joins Sara to discuss a new piano version of her one-singer opera with film, Women of the Windrush, and we hear specially recorded excerpts from the work by soprano Nadine Benjamin and pianist Caroline Jaya-Ratnam. The composers Errollyn Wallen and Des Oliver talk, too, about their own family connections and musical influences, and we hear the story of Belizean folk singer Nadia Cattouse as told by her son, Level 42 keyboardist Mike Lindup.The French-Canadian conductor Nicole Paiement, Founder and Artistic Director of Opera Parallèle in San Francisco, speaks to Sara from her home over-looking the bay while preparing to give the UK premiere of Joby Talbot and Gene Scheer's opera Everest - a work which tells the harrowing story of climbers caught in a blizzard in 1996 - in what will be a semi-staged version with the BBC Symphony Orchestra.Plus the conductor, composer and arranger Nigel Brooks discusses his life in music, from his first job during a Proms performance of music by Vaughan Williams with the BBC Singers in 1950, to his own group the Nigel Brooks Singers, and what drives him to continue writing music - including an orchestral piece inspired by that first Proms appearance - at the age of 96.
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Folge vom 10.06.2023Barrie Kosky and Poulenc's Dialogues des CarmélitesAs the CBSO prepares for a summer of tours to Aldeburgh, Japan, and the BBC Proms, the orchestra’s new Chief Conductor Kazuki Yamada speaks to presenter Tom Service about the joy of music and the goosebumps he experiences while conducting.Tom travels to the South Downs to speak to Australian director Barrie Kosky about a new production, opening this weekend at Glyndebourne, of Poulenc’s Dialogues des Carmélites. He’s joined by sopranos Golda Schultz and Sally Matthews, as well as conductor Robin Ticciati, to talk about the story of sixteen nuns who meet their death at the hands of the French Revolution.Amid rehearsals at the Royal Opera House, Music Matters hears about the World Premiere of a new ballet, Untitled 2023 – a collaboration between the Royal Ballet’s resident choreographer Wayne McGregor and composer Anna Thorvaldsdottir. They discuss the somatic relationship between body, dance and music, and why listening to Thorvaldsdottir’s compositions is not a passive experience. And one hundred years after its premiere at the Aeolian Hall in June 1923, Tom speaks to the writer and broadcaster William Sitwell about his great-aunt Edith Sitwell’s creative relationship with the composer William Walton – a collaboration which resulted in the entertainment, Façade. He’s also joined by writer and researcher Lucy Walker. Together they discuss the work’s nonsensical parody of popular music, jazz, and poetry and knotty issues it presents to contemporary audiences.
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Folge vom 03.06.2023Brad Mehldau, François-Xavier RothWith his new memoir ‘Formation - Building a Personal Canon, Part I’ hitting bookshops, and a new collaborative album with the tenor Ian Bostridge released this week, the American Jazz pianist Brad Mehldau joins Kate Molleson to discuss his childhood in small town New England, his forays into the New York Jazz scene of the 1990s, his encounters with kind musical heroes and future collaborators, and what it means to be a musician.Telling the story the 18th-century “Irish giant” Charles Byrne, whose corpse was stolen to order and put on public display, Kate speaks to composer Sarah Angliss about the World Premiere of her new opera Giant at this year’s Aldeburgh Festival. She explains how she’s treating this surprisingly tender tale of grave robbing and dissection.As Gypsy, Roma and Traveller History Month gets under way, Music Matters learns about a new project to highlight the invaluable recorded collection of gypsy and traveller voices archived within the Vaughan Williams Memorial Library. We speak to the University of East Anglia’s Dr. Hazel Marsh about the impetus to make collections, housed at the English Folk Dance and Song Society, more accessible to Gypsy and Traveller people seeking engagement with their cultural heritage, and hear from the Scottish Traveller Ian McGregor. Celebrating two decades of music making with Les Siècles, Kate hears from conductor François-Xavier Roth as he prepares to tour with the orchestra to the Barbican, Edinburgh International Festival and BBC Proms. With new albums of works by Ravel and Ligeti about to be released this month, too, he tells Kate about the energy of discovery which drives the ensemble’s prolific recording activity, and why performance needs to be dangerous.