The Third Coast International Audio Festival is 3 days of ear candy. On this HowSound, I present one of the stories featured at this year's Filmless Festival, "Seizure's Lament" by producer Carma Jolly. You might want headphones for this one.

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Sound School Podcast Folgen
The Backstory to Great Audio Storytelling, hosted by Rob Rosenthal, for Transom and PRX.
Folgen von Sound School Podcast
362 Folgen
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Folge vom 05.10.2011Seizure’s Lament
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Folge vom 22.09.2011The Natural StateIt's good to hear constructive (and, sometimes, not-so-constructive) feedback. However, a LOT of criticism, especially if it's pointed, well....is hard to take. Dan Collison & Elizabeth Meister talk about how to handle tough reviews from listeners.
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Folge vom 07.09.2011Inner-City Reality CheckKatie Davis doesn't look very far for the stories she produces. In fact, they often come to her.... on her front porch. We feature Katie's essay produced in the aftermath of 9/11 -- An Inner-City Reality Check.
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Folge vom 24.08.2011The Five Percent RuleThe amount of effort Sally Herships put into her first investigative journalism piece….. well, it’s enough to drive you to smoke! “The Five Percent Rule” is Sally’s 10-month-long foray into investigative reporting, a story on the under-pricing of tobacco on military bases. The piece aired on Marketplace in June of 2011 as part of a series on tobacco. On this edition of HowSound, Sally talks about some of her behind-the-scenes work on the project. It’s a bit startling, actually. Huge spreadsheets, hundreds of phone calls…. even a new pair of special glasses to prevent the headaches she was getting from looking at a computer screen too long. Sally says she received assistance from I.R.E. — Investigative Reporters and Editors. They were a tremendous help for this kind of deep reporting and exacting work. Have a listen then let us know about your investigative work. Here’s Sally’s blog for “The Five Percent Rule.” And, no, Sally doesn’t smoke. This edition of HowSound was produced on Hindenburg software rather than ProTools, my usual audio editor of choice for a good dozen years. I haven’t switched to Hindenburg, but I sure like it a lot.