On Start the Week Kirsty Wark asks whether it's possible to produce art for all. She's joined by the former Director of the National Theatre Nicholas Hytner who looks at the balancing act between art and show business but argues for the power of a national theatre to become part of the cultural bloodstream. The designer Lucienne Day made the link between mass production and fine art, and the curator of an exhibition of her fabrics, Jennifer Harris, says her abstract designs could be seen in households across the country. Singer-songwriter Eliza Carthy is a member of one of British folk's great dynasties, and has helped popularise folk music for new generations, combining tradition with innovation. Nietzsche suggested that 'art raises its head where religions decline' and the philosopher Jules Evans who studies human ecstasy, asks whether art galleries and theatres can really help us come together, lose control and connect with something beyond ourselves.Producer: Katy HickmanImage: Eliza Carthy and The Wayward Band
Photographer: Steve Gullick.
Kultur & Gesellschaft
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Weekly discussion programme, setting the cultural agenda every Monday
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Folge vom 24.04.2017Eliza Carthy and Nicholas Hytner: Art for All
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Folge vom 17.04.2017The Age of Spectacle?On Start the Week Andrew Marr explores the fashions and fads in architecture and food over the last fifty years. In 'The Age of Spectacle' the design critic Tom Dyckhoff explores how consumer culture has impacted on the building of our cities, from iconic architecture on a grand scale to soulless shopping centres and designer homes. The average life span of a family home in Japan is just 25 years: although the architect Takeshi Hayatsu regrets the destruction of so much of Japan's architectural heritage, he reflects that it's created a boon in innovate designs on a small scale. Innovations also abound in food technology and the experimental psychologist Charles Spence reveals how chefs can use science to influence diners and their taste buds, but the food writer Anissa Helou asks for a return to simplicity, away from the latest trends of 'molecular' techniques and foraged ingredients.Producer: Katy HickmanImage: Kiko Mozuna's model of 'Anti-Dwelling Box', late 1970s. Photo by Keizo Kioku. Collection of Norihito Nakatani.
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Folge vom 10.04.2017Christianity: Luther's LegacyOn Start the Week Andrew Marr looks back 500 years to the moment Martin Luther challenged the power and authority of the Catholic Church. Peter Stanford brings to light the character of this lowly born German monk in a new biography. Prior to Luther, for a thousand years the Catholic Church had been one of the greatest powers on earth, but in her study of the Italian Renaissance the writer Sarah Dunant reveals how bloated, corrupt and complacent it had become. Dunant also explores the role of the Church in the home, in a new exhibition at the Fitzwilliam Museum, Madonnas and Miracles, before the Reformation swept away such iconography. The historian Alec Ryrie charts the rise of the Protestant faith from its rebellious beginnings to the present day, while the sociologist Linda Woodhead asks whether the defining characteristics of Protestant Britain, such as the freedom of the individual, national pride and a strong work ethic are still relevant today.Producer: Katy HickmanImage: Boy falling from a window, 1592 (c) Museo degli ex voto del santuario di Madonna dell'Arco.
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Folge vom 03.04.2017Dissecting DeathOn Start the Week Tom Sutcliffe delves into the world of transhumanism, a movement whose aim is to use technology to transform the human condition. The writer Mark O'Connell has explored this world of cyborgs, utopians and the futurists looking to live forever. Raymond Tallis seeks to wrest the mysteries of time away from the scientists in his reflections on the nature of transience and mortality. Laura Tunbridge listens to the late works of Beethoven, Schumann and Mahler to ask whether intimations of mortality shape these pieces, while the mortician Carla Valentine uncovers what the dead reveal about their past life. Producer: Katy Hickman.