The Daily Folgen

In her book, “My Body,” Emily Ratajkowski reflects on her fraught relationship with the huge number of photographs of her body that have come to define her life and career.Some essays recount the author’s hustle as a young model who often found herself in troubling situations with powerful men; another is written as a long, venomous reply to an email from a photographer who has bragged of discovering her. Throughout, Ratajkowski is hoping to set the record straight: She is neither victim nor stooge, neither a cynical collaborator in the male agenda, as her critics have argued, nor some pop-feminist empoweree, as she herself once supposed.To hear more audio stories from publications like The New York Times, download Audm for iPhone or Android. Unlock full access to New York Times podcasts and explore everything from politics to pop culture. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify.

Stephen Sondheim died last week at his home in Roxbury, Conn. He was 91.For six decades, Mr. Sondheim, a composer-lyricist whose works include “Sweeney Todd” and “Into the Woods,” transformed musical theater into an art form as rich, complex and contradictory as life itself.“For me, the loss that we see pouring out of Twitter right now and everywhere you look as people write about their memories of Sondheim is for that person who says yes, devoting yourself to writing or to dancing or to singing or to composing — or whatever it is — is a worthwhile life,” Jesse Green, The Times’s chief theater critic, said in today’s episode. “And there really is no one who says that as strongly in his life and in his work as Sondheim does.”Today, we chart Mr. Sondheim’s career, influence and legacy. Guest: Jesse Green, the chief theater critic for The New York Times.Sign up here to get The Daily in your inbox each morning. And for an exclusive look at how the biggest stories on our show come together, subscribe to our newsletter. Background reading: With a childlike sense of discovery, Stephen Sondheim found the language to convey the beauty in harsh complexity.Mr. Sondheim was theater’s most revered and influential composer-lyricist of the last half of the 20th century, and he was the driving force behind some of Broadway’s most beloved and celebrated shows.For more information on today’s episode, visit nytimes.com/thedaily. Transcripts of each episode will be made available by the next workday.  Unlock full access to New York Times podcasts and explore everything from politics to pop culture. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify.

On Wednesday, the Supreme Court heard a case that was a frontal challenge to Roe v. Wade, the nearly 50-year-old decision that established a constitutional right to abortion.The case in front of the justices was about a Mississippi law that bans abortions after 15 weeks of pregnancy.For the state to win, the court, which now has a conservative majority, would have to do real damage to the central tenet of the Roe ruling.We explore the arguments presented in this case and how the justices on either side of the political spectrum responded to them. Guest: Adam Liptak, a reporter covering the Supreme Court for The New York Times.Sign up here to get The Daily in your inbox each morning. And for an exclusive look at how the biggest stories on our show come together, subscribe to our newsletter. Background reading: After oral arguments, the Supreme Court seemed poised to uphold the Mississippi abortion law. Whether it will overrule Roe v. Wade remains unclear.Here’s what to know about the Mississippi law.For more information on today’s episode, visit nytimes.com/thedaily. Transcripts of each episode will be made available by the next workday. Unlock full access to New York Times podcasts and explore everything from politics to pop culture. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify.