A bonus episode from the Lives Less Ordinary podcast.
Evy Mages grew up in and out of foster care in 1970s and 80s Austria. But even when she started a new life in the US, she was haunted by traumatic memories of a strange yellow house high up in the Alps, where she had been placed as an eight-year-old. It took an idle internet search in her 50s to reveal that this was actually an institution called a 'Kinderbeobachtungsstation', or 'child-observation station', where vulnerable children were experimented on by a psychologist using shocking methods. She decided to step back into her past to uncover the full, disturbing truth of what happened there. Evy's story first appeared in the New Yorker in 2023. Presenter: India Rakusen Producer: Edgar Maddicott Editor: Rebecca Vincent Get in touch: outlook@bbc.com or WhatsApp +44 330 678 2707For more extraordinary personal stories from around the world, go to bbcworldservice.com/liveslessordinary or search for Live Less Ordinary wherever you get your BBC podcasts.
FeatureKultur & Gesellschaft
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Hear the voices at the heart of global stories. Where curious minds can uncover hidden truths and make sense of the world. The best of documentary storytelling from the BBC World Service. From China’s state-backed overseas spending, to on the road with Canada’s Sikh truckers, to the front line of the climate emergency, we go beyond the headlines. Each week we dive into the minds of the world’s most creative people, take personal journeys into spirituality and connect people from across the globe to share how news stories are shaping their lives.
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Folge vom 01.05.2024Bonus: Lives Less Ordinary
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Folge vom 30.04.2024Assignment: Kosovo - euro or bust?It's a quarter of a century since Kosovo emerged from a brutal war, one which pitted local ethnic Albanians against Serbs. Twenty-five years on, the government in Pristina is pressing ahead with reforms that could reinforce its separation from Serbia. They include banning the use of Serb dinars and curbing the import of things like Serb medicines. Pristina says the moves are needed to curb illegality and tax-evasion. But they have brought widespread complaints from local Serbs who feel victimised. Is the government justified in claiming there is a rising risk of violence, or are the restrictions themselves making this more likely?
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Folge vom 29.04.2024In the Studio: Kenyan artist Wangari MathengeWangari Mathenge used to be a high-flying corporate lawyer before turning to her first love of art. She likes to express herself through her colourful palette and figurative paintings, exploring her African culture, identity and past. More recently she has turned to immersive installation. For this In The Studio, arts journalist Anna Bailey follows Wangari as she creates her second immersive experience at the Pippy Houldsworth Gallery. It’s a life-sized replica of her Nairobi studio and this is where she invited 20 female domestic workers to have a day of rest, while also painting large-scale portraits of them for a new series of work which celebrates female domestic workers in Kenya. Wangari also invites listeners into her Chicago studio, where she is working on the next painting in the series. But as Anna finds out, rest is not only important to the workers but to Wangari herself. Presenter and producer Anna Bailey Executive producer Andrea Kidd.
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Folge vom 28.04.2024The Cultural Frontline: Exposing the fake Russian modern art collectionOver the past twenty years, paintings from a private collection of Russian and Ukrainian modern art have been sold to museums and private collectors around the world. Paintings were sold for hundreds of thousands of pounds from the Zaks collection, as it’s known. It was said to include over 200 oil paintings of some of the most treasured Russian and Ukrainian avant-garde artists, including those by El Lissitzky, Exter, Goncharova and Popova, putting it among the largest in the world. This has caught the eye of three art detectives and the BBC’s Grigor Atanesian follows them, along with forensic experts, to discover more about the collection, what’s been happening and if the paintings are real or worthless fakes.