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Aaliyah grew up a devout Muslim but now makes adult content for the online service OnlyFans. She’s often pictured wearing a hijab. Aaliyah is her stage name. She’s had death threats but believes that expressing her sexuality and making her own choices about her body are empowering. She has also had support from young Muslim women and couples. She was brought up in the UK as a Muslim and began to question her faith at the age of 12, when her parents got divorced. She says, “My work now is definitely a rebellion against my upbringing. I’m tired of being told how women should be”. Aaliyah still describes herself as Muslim, and feels that her sex work is more important than the version of Islam she grew up with.Can you be a sex worker and still follow your faith? Sex work has always challenged religion. Although it’s broadly considered immoral within Christianity, Islam and Judaism, sacred texts carry some mixed messages. Women sex workers often see male religious leaders condemning them in public, whilst buying their services in private.In Bangalore in India, women at a sex workers cooperative think religion is compatible with their work. One Christian, who’s a mother and wife, says her family don’t know how she makes her living. “I can talk to God about it when I can’t talk to my husband”. In Nigeria, a Muslim sex worker we’re calling Zara operates in an area where sex work is illegal and dangerous. But she draws strength from her faith. “I know what God says about selling sex, that it’s against the religion but he understands that I have to do it.”

Gnawa music is a Moroccan spiritual musical tradition developed by descendants of enslaved people from Sub-Saharan Africa. It combines ritual poetry with traditional music and dance, and is traditionally only performed by men. But one female Moroccan artist, Asmâa Hamzaoui, has broken the mould. She's become an international star, who has even performed for Madonna on her birthday. For Assignment, reporter Myriam Francois travels to Casablanca to meet Asmaa and her family, and follows her to the Essaouira Festival, the annual celebration of Gnawa culture.What does its ever-growing popularity tell us about the changing identity of a country that once saw itself primarily as part of the Arab world, but has now become more interested in its links to the rest of the African continent?Presented by Myriam Francois Produced by Tim Whewell Series editor Penny Murphy(Image: Asmâa Hamzaoui. Credit: BBC/Myriam Francois)

On 1st February 2021, a coup d'état began in Myanmar where the National League for Democracy was deposed by Myanmar's military. Students studying at the country’s higher education institutes were left with a decision: continue their studies under the new regime, or walk out. More than two years on, five students at Parami University share their experiences of studying during the coup. Offering a US style liberal arts education, Parami University is one of many institutions offering people another chance to begin, or in some cases restart, their learning. From dealing with electricity blackouts to writing essays about philosophy for teachers who are only ever a tile on a screen - and usually on the other side of the world - each student shares how they are using education as both resistance and hope for themselves and their country. We also hear from Parami University staff and academics who explain how education continues during conflict. Names and voices have been changed on some contributors.With thanks to Dr Shona Loong, Dr Will Buckingham, Dr Kyaw Moe Tun and students at Parami UniversityProducer: Mollie DavidsonA 7digital Production for BBC World Service