This Cultural Life Folgen

As one of the most successful screenwriters of modern times, Aaron Sorkin is renowned for his quickfire, rhythmic dialogue in films and television dramas including The West Wing, A Few Good Men, The Newsroom, Moneyball and The Social Network. More recently he’s directed his own screenplays with films including Molly’s Game, The Trial Of The Chicago 7 and Meet the Ricardos.Aaron Sorkin tells John Wilson how, at the age of five, his parents took him to see the Broadway musical Man of La Mancha, an experience that sparked his love of theatre. He remembers seeing Who’s Afraid Of Virginia Woolf a few years later and being entranced by the musicality of the dialogue. Debates around the family dinner table, led by his corporate lawyer father, are another source of inspiration for a writer famed for creating adversarial scenarios in courtrooms and the corridors of power. Sorkin pays tribute to his mentor, the Oscar winning screenwriter William Goldman, and explains how Goldman’s screenplay for the classic 1969 movie Butch Cassidy and the Sundance Kid offers a masterclass in dramatic dialogue. Aaron Sorkin also reflects on his writing process, and how he often gripped by ‘writer’s block’, despite being one of the most prolific screenwriters of his generation.Producer: Edwina Pitman

Spanish ballet star Tamara Rojo has enjoyed a 20 year stage career, in which she starred in all the greatest classical ballet roles to both critical and popular acclaim. She became artistic director of the English National Ballet, and recently made her debut as a choreographer with a new version of the 19th century ballet Raymonda. Now, after a decade running the ENB, she is preparing to take on a new job as artistic director of the San Francisco ballet, the first woman to hold the role. She tells John Wilson about the chance introduction to a dance class at school, and her unexpected success winning the Paris International Dance competition in 1994 which led to a role at Scottish Ballet at the age of 17. She reveals how seeing Francis Bacon's studies of the Velazquez portrait of Pope Innocent X made her reassess approaches to classic works of art and inspired a desire to re imagine works from the classical ballet canon. She also explains why she loves the Lars von Trier film Dancer in the Dark and how Bjork's tour de force performance mirrors he own approach to inhabiting a role.Producer: Edwina Pitman

Olivier and Emmy-winning actor Brian Cox is best known these days as Logan Roy, the tyrannical media mogul and disappointed father in the hit series Succession. It’s a character familiar to him having played King Lear, along with virtually every other classical role during a sixty year stage career at the National Theatre, the RSC and repertory theatres throughout the UK. On screen he’s made a name for himself as the go-to character actor of his generation, with roles in the Bourne trilogy, Troy, Braveheart and many more. Villains are his speciality and include the original portrayal of Hannibal Lector on screen in the film Manhunter. In a wide-ranging conversation, he tells John Wilson about the most formative influences on his career which started when he worked as a stage hand at the Dundee Rep Theatre in his home city. He reminisces about working with directors including Lindsay Anderson and John Schlesinger, and how seeing Albert Finney on screen in the 1960s made him realise there were new opportunities for working class actors. He also reflects on the international fame he has found playing Logan Roy.Producer: Edwina Pitman