Latino USA Folgen

There are two kinds of immigrants: the ones who don’t look back and the ones who spend their lives looking back. Miguel Macias has been both over the course of his life. “Limbo” follows Miguel’s migration journey after moving to the United States from Spain in 2001, when he was 25 years old. As we learn about the struggles that come with remaining connected to the homeland, and the life-long dilemma of whether to return one day, “Limbo” dives into the ways in which migration and depression interlock. “Limbo” is a love story, but also a story about belonging, purpose, achievement, and the things that matter in life. Want to support our independent journalism? Join Futuro+ for exclusive episodes, sneak peaks and behind-the-scenes chisme on Latino USA and all our podcasts. www.futuromediagroup.org/joinplus.

If you’re looking for a sign to go get that tattoo you’ve been dreaming of — well, this is it. Tattoo and multimedia artist Tamara Santibañez believes that tattooing can work for anyone who wants it. The art form has existed for thousands of years, and it’s more than a tool for creative expression. In their book, “Could this be Magic? Tattooing as Liberation Work,” Tamara makes the case that tattooing holds deep meaning and even deeper potential: tattoos are a way to reclaim personal and collective histories, help heal trauma, and present one’s truest self to the world. Tamara developed their tattooing ethos across their 13-year-long career. Originally from Georgia, Tamara moved to New York City as an art student and soon after pivoted into the world of body art and tattooing. Tamara developed a specialty in black and white, fine-line tattooing — their style draws from their Mexican-American heritage, and from popular Chicano tattooing styles that originated within the prison system on the West Coast. In this episode of Latino USA, Tamara discusses their own journey in tattooing, the histories behind the art form, and the possibilities that await when taking ink and needle to skin. Want to support our independent journalism? Join Futuro+ for exclusive episodes, sneak peaks and behind-the-scenes chisme on Latino USA and all our podcasts. www.futuromediagroup.org/joinplus.

Violeta Parra changed music in her native Chile and beyond. She is known as the “Mother of La Nueva Canción,” a political folk music movement that swept Latin America in the late 1960s. Most people might have heard a version of her masterpiece “Gracias a la vida,” which has been covered countless times across the world. But behind that anthem of gratitude there is a deeply existential and complex musician who presented love as an ethical principle in her songs, even when her own life was marked by loss and illness. In the latest episode of our Genias in Music series —about the lives and work of notable women musicians— we dive into the complexities of Violeta Parra, a pioneer of political folk music in Latin America. Want to support our independent journalism? Join Futuro+ for exclusive episodes, sneak peaks and behind-the-scenes chisme on Latino USA and all our podcasts. www.futuromediagroup.org/joinplus.