Doris Anahi Muñoz always sang. In fact, singing was her first career choice. But reality hit when she realized in her teenage years that she had to secure a career so that she could provide for her undocumented parents. Her dream of becoming a singer came to a halt. Instead, she got involved in the music industry from behind the scenes and became very successful: at 23 years old, she founded her own music management company representing indie Latino emerging artists and launched a series of fundraising concerts for immigrant communities. But soon after she realized she was unhappy.That’s when Doris decided it was time to choose herself and step onto the stage as a singer and musician.
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Latino USA Folgen
Latino USA is the longest-running news and culture radio program in the U.S. centering Latino stories, hosted by Pulitzer Prize winning journalist Maria Hinojosa Every week, the Peabody winning team brings you revealing, in-depth stories about what’s in the hearts and minds of Latinos and their impact on the world. Want to support our independent journalism? Join Futuro+ for exclusive episodes, sneak peaks and behind-the-scenes chisme on Latino USA and all our podcasts. www.futuromediagroup.org/joinplus
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Folge vom 26.04.2022Doris Anahi Muñoz Chooses Herself
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Folge vom 22.04.2022Chisme: An Ancestral LanguageWhen Elisa Baena and Monica Morales-García first met on their first day as Latino USA fellows, they realized they were speaking a shared language — an ancestral tongue. They were chismeando! Chisme is the Spanish word for gossip. It happens when you speak about someone in their absence, sharing information that’s supposed to be private and not necessarily factual. In this episode of Latino USA, Elisa and Monica travel deep into a chismosa’s universe. They talk to professional chismosas from reality TV, entertainment news and academia to understand why chisme is so central in the lives of Latinas and Latinos. Want to support our independent journalism? Join Futuro+ for exclusive episodes, sneak peaks and behind-the-scenes chisme on Latino USA and all our podcasts. www.futuromediagroup.org/joinplus.
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Folge vom 19.04.2022The Story Not Told With Dahlma Llanos-FigueroaDahlma Llanos-Figueroa grew up listening to the stories of her rural Afro Puerto Rican community of Puerto Rico, but when she moved to New York, she realized that not everybody had access to this kind of storytelling. After a long career as school teacher and librarian, Dahlma realized that she needed to write the stories her mostly Dominican and Puerto Rican students in the Bronx were missing. Dahlma shares how she found her writing voice and gives us a sneak peak of her new novel, A Woman of Endurance, which centers the experience of an enslaved woman in Puerto Rico. Want to support our independent journalism? Join Futuro+ for exclusive episodes, sneak peaks and behind-the-scenes chisme on Latino USA and all our podcasts. www.futuromediagroup.org/joinplus.
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Folge vom 15.04.2022Genias in Music: La LupeLa Lupe was a legendary Afro-Cuban singer who was once known as the “Queen of Latin Soul.” She was one of the top performers in Havana cabarets amid the Cuban Revolution and became a legendary figure in New York after fleeing Cuba. She worked with some of Latin music’s biggest names, including Tito Puente, and was known for explosive boleros like “Qué Te Pedí” and “La Tirana.” By the mid-1970s, Lupe’s label was acquired by Fania Records and she was pushed aside. She earned the reputation of being difficult to manage and there were rumors that she was a drug abuser, even though her family and friends have consistently denied these claims. Changing tastes in Latin music coupled with her strained reputation led her career to decline by the 80s. This episode of Latino USA is part of our Genias in Music series, remembering notable women and their contributions to their fields throughout history. We question some of the myths about La Lupe that attempted to delegitimize her music and look at how her identity as an Afrolatina influenced the racist and sexist characterizations of her as “possessed,” “crazy” and “on drugs.” But by singing and moving in the ways she was known for, she was resisting her erasure and claiming her space –– whether audiences understood it or not. Want to support our independent journalism? Join Futuro+ for exclusive episodes, sneak peaks and behind-the-scenes chisme on Latino USA and all our podcasts. www.futuromediagroup.org/joinplus.