A few days ago, Utah became the first state to pass a law prohibiting social media services from allowing users under 18 to have accounts without the explicit consent of a parent or guardian. The move, by Republican officials, is intended to address what they describe as a mental health crisis among American teenagers as well as to protect younger users from bullying and child sexual exploitation.The technology reporter Natasha Singer explains the measure, and why it could be a sign of where the country is headed.Guest: Natasha Singer, who writes about technology, business and society for The New York Times.Background reading: The Utah law prohibits social networks from allowing minors to have accounts without parental consent.The creator of Fortnite was found by federal regulators to have violated children’s privacy and duped millions of users into unwanted purchases.For more information on today’s episode, visit nytimes.com/thedaily. Transcripts of each episode will be made available by the next workday.
Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app.
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Folge vom 27.03.2023A Sweeping Plan to Protect Kids From Social Media
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Folge vom 26.03.2023The Sunday Read: ‘How Danhausen Became Professional Wrestling’s Strangest Star’Like a lot of people who get into professional wrestling, Donovan Danhausen had a vision of a different version of himself. Ten years ago, at age 21, he was living in Detroit, working as a nursing assistant at a hospital, watching a lot of “Adult Swim” and accumulating a collection of horror- and comedy-themed tattoos.At the suggestion of a friend, he took a 12-week training course at the House of Truth wrestling school in Center Line, Mich., and then entered the indie circuit as a hand: an unknown, unpaid wrestler who shows up at events and does what’s asked of him, typically setting up the ring or pretending to be a lawyer or another type of extra. When he ran out of momentum five years later, he developed the character of Danhausen. Originally supposed to be an evil demon, Danhausen found that the more elements of humor he incorporated into his performance, the more audiences responded.“I was just a bearded guy with the tattoos, trying to be a tough guy, and I’m not a tough guy naturally,” he said. “But I can be weird and charismatic, goofy. That’s easy. That’s also a role that most people don’t want to fill.”Over the next couple of years, the Danhausen gimmick became more funny than evil, eventually settling on the character he plays today — one that is bizarre even by the standards of 21st-century wrestling.This story was recorded by Audm. To hear more audio stories from publications like The New York Times, download Audm for iPhone or Android. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app.
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Folge vom 24.03.2023Should The Government Pay for Your Bad Climate Decisions?A few days ago, the Biden administration released a report warning that a warming planet posed severe economic challenges for the United States, which would require the federal government to reassess its spending priorities and how it influenced behavior.White House reporter Jim Tankersley explains why getting the government to encourage the right decisions will be so difficult.Guest: Jim Tankersley, a White House correspondent for The New York Times.Background reading: A chapter in the new Economic Report of the President focuses on the growing risks to people and businesses from rising temperatures.In theory, funding the government takes place in two major stages. But it’s a fraught and complicated process. Here’s a step-by-step guide.For more information on today’s episode, visit nytimes.com/thedaily. Transcripts of each episode will be made available by the next workday. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app.
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Folge vom 23.03.2023Our Film Critic on Why He’s Done With the MoviesA.O. Scott started as a film critic at The New York Times in January of 2000. Next month he will move to the Book Review as a critic at large.After 23 years as a film critic, Mr. Scott discusses why he is done with the movies, and what his decision reveals about the new realities of American cinema.Guest: A.O. Scott, a longtime film critic for The New York Times.Background reading: A.O. Scott conducts his own exit interview as he moves to a new post after more than two decades of reviewing films.A.O. Scott’s review of “65.”For more information on today’s episode, visit nytimes.com/thedaily. Transcripts of each episode will be made available by the next workday. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app.