The Daily Folgen

The funeral of Queen Elizabeth today will be one of the most extraordinary public spectacles of the last several decades in Britain, accompanied by an outpouring of sadness, reverence and respect.But the end of the queen’s 70-year reign has also prompted long-delayed conversations about the future of the Commonwealth and of the four nations that make up the United Kingdom.Guest: Mark Landler, the London bureau chief for The New York Times.Background reading: In Commonwealth nations with British colonial histories, Queen Elizabeth’s death has rekindled discussions about a more independent future.The loss of the beloved figurehead has left many in Britain anxious and unmoored, unsure of their nation’s identity, its economic and social well-being, or even its role in the world.For more information on today’s episode, visit nytimes.com/thedaily. Transcripts of each episode will be made available by the next workday.  Unlock full access to New York Times podcasts and explore everything from politics to pop culture. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify.

“Nobody’s gonna know. They’re gonna know.”If you’ve been on TikTok in the past year, you’re most likely familiar with these two sentences, first drolly uttered in a post by TikTok creator Chris Gleason in 2020. The post has become a hit and has been viewed more than 14 million times.But the sound is more famous than the video.When uploading a video to TikTok, the creator has the option to make that video’s audio a “sound” that other users can easily use in their own videos — lip-syncing to it, adding more noise on top of it or treating it like a soundtrack. Gleason’s sound has been used in at least 336,000 other videos, to humorous, dramatic and sometimes eerie effect.The journalist Charlotte Shane delves into the world of repurposed sounds, exploring how TikTok and other apps have enabled, as she writes in her recent article for The Times, “cross-user riffing and engagement, like quote-tweeting for audio.” She also considers “what makes a sound compelling beyond musical qualities or linguistic meaning.”While “brainfeel” may be an apt buzzword for the sensation audio memes elicit, Ms. Shane writes, it is more than a mere trend: We have entered the “era of the audio meme.”This story was written by Charlotte Shane and recorded by Audm. To hear more audio stories from publications like The New York Times, download Audm for iPhone or Android. Unlock full access to New York Times podcasts and explore everything from politics to pop culture. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify.

It’s March 2013. The G.O.P., in tatters, issues a scathing report blaming its electoral failures on an out-of-touch leadership that ignores minorities at its own peril. Just three years later, Donald Trump proves his party dead wrong. Today, how certain assumptions took hold of both parties — and what they’re still getting wrong — heading into the midterm elections. Unlock full access to New York Times podcasts and explore everything from politics to pop culture. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify.