Last week, nearly 50 Venezuelan migrants showed up, without warning, on the wealthy island of Martha’s Vineyard.Their arrival was the culmination of a monthslong strategy by two of the United States’ most conservative governors to lay the issue of undocumented immigration at Democrats’ doorstep.How has this strategy played out and what has it meant for the migrants caught in the middle?Guest: Miriam Jordan, a national correspondent covering immigration for The New York Times.Background reading: Scores of migrants have been shipped north by southern Republican governors. Here’s what you need to know.Martha’s Vineyard, the moneyed summer resort, has become an unlikely arena in the fight over illegal immigration.For more information on today’s episode, visit nytimes.com/thedaily. Transcripts of each episode will be made available by the next workday.
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Folge vom 21.09.2022How Border Politics Landed in Martha’s Vineyard
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Folge vom 20.09.2022Why Adnan Syed Was Released From PrisonAdnan Syed was accused of the 1999 killing of his classmate and ex-girlfriend Hae Min Lee, whose body was found buried in a car park in Baltimore.He was convicted and sentenced to life in prison but has proclaimed his innocence for the last 23 years.Mr. Syed was the subject of the first season of the podcast “Serial,” which painstakingly examined his case and the evidence against him.Yesterday, his conviction was overturned. On today’s episode, the “Serial” team looks at how this happened. Guest: Sarah Koenig, the host and executive producer of the “Serial” podcast.Background reading: Mr. Syed had been serving a life sentence for the 1999 murder of his high school classmate Hae Min Lee. Here is the timeline of his legal journey.A Baltimore City Circuit Court judge vacated Mr. Syed’s conviction “in the interests of justice and fairness.”For more information on today’s episode, visit nytimes.com/thedaily. Transcripts of each episode will be made available by the next workday. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app.
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Folge vom 19.09.2022Can the U.K. Remain United Without the Queen?The funeral of Queen Elizabeth today will be one of the most extraordinary public spectacles of the last several decades in Britain, accompanied by an outpouring of sadness, reverence and respect.But the end of the queen’s 70-year reign has also prompted long-delayed conversations about the future of the Commonwealth and of the four nations that make up the United Kingdom.Guest: Mark Landler, the London bureau chief for The New York Times.Background reading: In Commonwealth nations with British colonial histories, Queen Elizabeth’s death has rekindled discussions about a more independent future.The loss of the beloved figurehead has left many in Britain anxious and unmoored, unsure of their nation’s identity, its economic and social well-being, or even its role in the world.For more information on today’s episode, visit nytimes.com/thedaily. Transcripts of each episode will be made available by the next workday. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app.
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Folge vom 18.09.2022The Sunday Read: “Why Do We Love TikTok Audio Memes? Call it ‘Brainfeel.’”“Nobody’s gonna know. They’re gonna know.”If you’ve been on TikTok in the past year, you’re most likely familiar with these two sentences, first drolly uttered in a post by TikTok creator Chris Gleason in 2020. The post has become a hit and has been viewed more than 14 million times.But the sound is more famous than the video.When uploading a video to TikTok, the creator has the option to make that video’s audio a “sound” that other users can easily use in their own videos — lip-syncing to it, adding more noise on top of it or treating it like a soundtrack. Gleason’s sound has been used in at least 336,000 other videos, to humorous, dramatic and sometimes eerie effect.The journalist Charlotte Shane delves into the world of repurposed sounds, exploring how TikTok and other apps have enabled, as she writes in her recent article for The Times, “cross-user riffing and engagement, like quote-tweeting for audio.” She also considers “what makes a sound compelling beyond musical qualities or linguistic meaning.”While “brainfeel” may be an apt buzzword for the sensation audio memes elicit, Ms. Shane writes, it is more than a mere trend: We have entered the “era of the audio meme.”This story was written by Charlotte Shane and recorded by Audm. To hear more audio stories from publications like The New York Times, download Audm for iPhone or Android. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app.